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Quietness and Language in A Song for a Barbarian Reed Pipe Maxine Kingston's The Woman Warrior grapples with the significance of language for Chinese-American ladies, utilizing Kingstons own background as the novel's establishment. In the book's last section, A Song for a Barbarian Reed Pipe, she subtleties her creating relationship with quiet and language. Kingston voices her disappointment and question of Chinese convention in that the two its talking and quiet escape association with her. She contends that she should discover her very own voice, as a Chinese-American lady, so as to overcome any issues among ages and networks and that this voice must be utilized to enable others, not tear them down. It is through expressions of the human experience that this voice takes structure, be it through melody or writing, as on account of the novel. All through the section, unmistakably Kingston's battle to locate her own voice is laced with her battle to understand the Chinese voice custom. Is quietness or tumult the encapsulation of being Chinese, especially for a Chinese lady?